- Remain calm and reassure others.
- Make communications with your family and other loved onces.
- Inspect utilities in your home.
- Help others cope, especially children.
Wildland Fire Photographer | 661-886-3786
Friday, March 12, 2010
What to do after earthquake:
Blaze Engulfs South Los Angeles Warehouse
On Tuesday, March 9, 2010 at 6:13 PM, 24 Companies of Los Angeles Firefighters, 6 LAFD Rescue Ambulances, 1 Arson Unit, 1 Urban Search and Rescue Unit, 1 Rehab Unit, 1 Hazardous Materials Team, 2 EMS Battalion Captains, 3 Battalion Chief Officer Command Teams, 1 Division Chief Officer Command Team, along with LA County Fire Department and Vernon Fire Department, under the direction ofBattalion Chief Armando Hogan responded to a Major Emergency Structure Fire at 1753 East Slauson Avenue in South Los Angeles.
Firefighters arrived quickly to discover heavy smoke and fire showing from a 100' x 200' commercial building. Fire crews mounted a swift and offensive attack, as a light breeze fanned the fire which appeared to have originated just inside the occupancy. Wooden pallets exposed to the flames quickly caught fire outside the structure, which included an exposure to an adjacent building. A fierce attack commenced as the blaze grew in intensity. A subsequent roof collapse ensued as the fire engulfed the warehouse's lightweight roof.
Battalion Three Incident Commander Armando Hogan called for additional companies as well as for all operations to go to a defensive mode of attack on this incident. Master streams were strategically placed to bring the volume of water necessary to attack the free-burning fire. Because of the wind and the concern for flying embers, personnel surrounded the stubborn flames with additional handlines.
It took 153 firefighters just under one hour, before confining the wind-swept fire entirely within the occupancy of origin for a complete knockdown. One firefighter sustained a second degree burn to the neck from flying embers. He and was later transported to Sherman Oaks Burn Center in stable condition and is expected to recover. No civilians were injured during the fight. The damage and cause of the blaze is still being tabulated and investigated.
Submitted by Devin Gales, Spokesman
Los Angeles Fire Department
Thursday, March 11, 2010
Without question the best point & shoot camera, the Canon PowerShot G11
The PowerShot G-series has long been the flagship of the PowerShot line. The new Canon PowerShot G11 Digital Camera further adds to the legacy of this award-winning series with its advanced features, variety of shooting modes and compatible EOS accessories which help to enhance one's photographic creativity. Designed for those looking for a pocket-sized camera with SLR functionality, this new powerful camera is ideal for the consumer who is looking to capture beautiful landscapes and professional portraits by offering:
A 10.0-Megapixel High Sensitivity System to capture images with a powerful 5x Optical Zoom lens with Optical Image Stabilization. Additionally, a 28mm (equivalent to 28-140 mm) wide-angle lens helps to get large groups into one shot at events such as a family reunion.
A 2.8-inch vari-angle PureColor System LCD, new to the G-series, allowing for easier on-camera previewing and reviewing of images from nearly every angle, while still incorporating the optical viewfinder found on previous models.
Easy access to heavily used functions with two mode dials for adjusting ISO and exposure compensation, and a full range of shooting and recording modes, including RAW + JPEG for ultimate creative control when editing images.
A host of optional accessories, including Speedlite flashes, an underwater housing and a tele-converter lens to provide further photographic flexibility.
A 10.0-Megapixel High Sensitivity System to capture images with a powerful 5x Optical Zoom lens with Optical Image Stabilization. Additionally, a 28mm (equivalent to 28-140 mm) wide-angle lens helps to get large groups into one shot at events such as a family reunion.
A 2.8-inch vari-angle PureColor System LCD, new to the G-series, allowing for easier on-camera previewing and reviewing of images from nearly every angle, while still incorporating the optical viewfinder found on previous models.
Easy access to heavily used functions with two mode dials for adjusting ISO and exposure compensation, and a full range of shooting and recording modes, including RAW + JPEG for ultimate creative control when editing images.
A host of optional accessories, including Speedlite flashes, an underwater housing and a tele-converter lens to provide further photographic flexibility.
NASA ORDERS D3S DIGITAL SLR CAMERAS AND INTERCHANGEABLE LENSES FROM NIKON
MELVILLE, N.Y. (Dec. 21, 2009) – Nikon Corporation (Michio Kariya, President) is pleased to announce that the National Aeronautics and Space Administration (NASA) has placed an order for eleven D3S digital SLR cameras and seven AF-S NIKKOR 14-24mm f/2.8G ED lenses to be used for photographic documentation.
The D3S digital SLR cameras and AF-S NIKKOR 14-24mm f/2.8G ED lenses ordered by NASA will be carried on the Space Shuttle and used to photograph activities at the International Space Station (ISS) in the future. No special modifications will be made to these products. They will be the same products available to end-users, confirming the incredible versatility of the D3S. This equipment will be used along with the Nikon D2XS digital SLR cameras, NIKKOR lenses, and Nikon Speedlights already in use at the International Space Station.
Nikon has spent many years contributing to NASA's study of space through the development and manufacture of advanced and extremely durable cameras as well as of NIKKOR lenses that make the most of Nikon’s optical technologies, and of which production has recently reached fifty million units. To date, NASA has captured more than 700,000 images using Nikon equipment carried into space. Space, however, is not the only extreme environment in which Nikon equipment is used. Nikon also provides official observation equipment used in exploring the Arctic. Nikon equipment contributes to observation and research of these little explored regions with durability, reliability and technical capabilities that stand up to even the most severe environmentsMELVILLE, N.Y. (Dec. 21, 2009) – Nikon Corporation (Michio Kariya, President) is pleased to announce that the National Aeronautics and Space Administration (NASA) has placed an order for eleven D3S digital SLR cameras and seven AF-S NIKKOR 14-24mm f/2.8G ED lenses to be used for photographic documentation.
The D3S digital SLR cameras and AF-S NIKKOR 14-24mm f/2.8G ED lenses ordered by NASA will be carried on the Space Shuttle and used to photograph activities at the International Space Station (ISS) in the future. No special modifications will be made to these products. They will be the same products available to end-users, confirming the incredible versatility of the D3S. This equipment will be used along with the Nikon D2XS digital SLR cameras, NIKKOR lenses, and Nikon Speedlights already in use at the International Space Station.
Nikon has spent many years contributing to NASA's study of space through the development and manufacture of advanced and extremely durable cameras as well as of NIKKOR lenses that make the most of Nikon’s optical technologies, and of which production has recently reached fifty million units. To date, NASA has captured more than 700,000 images using Nikon equipment carried into space. Space, however, is not the only extreme environment in which Nikon equipment is used. Nikon also provides official observation equipment used in exploring the Arctic. Nikon equipment contributes to observation and research of these little explored regions with durability, reliability and technical capabilities that stand up to even the most severe environments.
The D3S digital SLR cameras and AF-S NIKKOR 14-24mm f/2.8G ED lenses ordered by NASA will be carried on the Space Shuttle and used to photograph activities at the International Space Station (ISS) in the future. No special modifications will be made to these products. They will be the same products available to end-users, confirming the incredible versatility of the D3S. This equipment will be used along with the Nikon D2XS digital SLR cameras, NIKKOR lenses, and Nikon Speedlights already in use at the International Space Station.
Nikon has spent many years contributing to NASA's study of space through the development and manufacture of advanced and extremely durable cameras as well as of NIKKOR lenses that make the most of Nikon’s optical technologies, and of which production has recently reached fifty million units. To date, NASA has captured more than 700,000 images using Nikon equipment carried into space. Space, however, is not the only extreme environment in which Nikon equipment is used. Nikon also provides official observation equipment used in exploring the Arctic. Nikon equipment contributes to observation and research of these little explored regions with durability, reliability and technical capabilities that stand up to even the most severe environmentsMELVILLE, N.Y. (Dec. 21, 2009) – Nikon Corporation (Michio Kariya, President) is pleased to announce that the National Aeronautics and Space Administration (NASA) has placed an order for eleven D3S digital SLR cameras and seven AF-S NIKKOR 14-24mm f/2.8G ED lenses to be used for photographic documentation.
The D3S digital SLR cameras and AF-S NIKKOR 14-24mm f/2.8G ED lenses ordered by NASA will be carried on the Space Shuttle and used to photograph activities at the International Space Station (ISS) in the future. No special modifications will be made to these products. They will be the same products available to end-users, confirming the incredible versatility of the D3S. This equipment will be used along with the Nikon D2XS digital SLR cameras, NIKKOR lenses, and Nikon Speedlights already in use at the International Space Station.
Nikon has spent many years contributing to NASA's study of space through the development and manufacture of advanced and extremely durable cameras as well as of NIKKOR lenses that make the most of Nikon’s optical technologies, and of which production has recently reached fifty million units. To date, NASA has captured more than 700,000 images using Nikon equipment carried into space. Space, however, is not the only extreme environment in which Nikon equipment is used. Nikon also provides official observation equipment used in exploring the Arctic. Nikon equipment contributes to observation and research of these little explored regions with durability, reliability and technical capabilities that stand up to even the most severe environments.
NIKON RELEASES TWO HIGHLY ANTICIPATED WIDE ANGLE NIKKOR LENSES DESTINED TO BECOME PHOTOGRAPHER FAVORITES
MELVILLE, N.Y. (Feb. 8, 2010) – Nikon Inc. today announced two new lenses for professional and enthusiast photographers that epitomize NIKKOR leadership in optical excellence. The highly anticipated AF-S NIKKOR 24mm f/1.4G ED lens is engineered to meet the demand for an ultra-fast professional lens for wide angle applications, while the AF-S NIKKOR 16-35mm f/4G ED VR offers Nikon’s widest FX-format focal range with VR, offering additional versatility to a broad range of photographers.
“The 16-35mm f/4 VR and 24mm f/1.4 are two new lenses designed to address the needs of an ever-expanding number of Nikon FX-format photographers, delivering dramatic perspectives, amazing clarity, contrast and color when capturing stills or HD video,” said Edward Fasano, general manager for marketing, SLR Systems Products at Nikon Inc. “Customers that choose these new lenses will experience excellent image quality and sturdy handling, which is made possible through our commitment to excellence and expert NIKKOR engineering.”
World renowned NIKKOR technologies play an essential role in the design of these two new lenses, and both feature Nikon’s exclusive Silent Wave Motor (SWM) technology for quiet, fast and accurate autofocus performance. The optical construction of both lenses also utilizes precision Nikon ED glass elements along with multiple aspherical elements to suppress chromatic aberrations resulting in sharp, high contrast images. Additionally, Nikon’s proprietary Nano-Crystal Coat minimizes instances of internal “ghosting” and flaring, further ensuring exceptional image integrity.
The 24mm f/1.4G ED Lens
Perhaps one of the most hotly anticipated lenses in recent memory, the new AF-S NIKKOR 24mm f/1.4G ED lens blends a natural yet versatile 24mm perspective with an ultra-fast f/1.4 aperture to expand an existing collection of well over 60 NIKKOR interchangeable lenses. The f/1.4 maximum aperture allows photographers to shoot handheld in low light and provides dramatic separation between subject and a softened background. In a wide variety of photographic situations, both FX and DX-format shooters will enjoy the benefits of extra-bright f/1.4 viewing, superb image quality and the dramatic perspectives afforded by a picture angle of 84 degrees (61 degrees when mounted on a DX-format body).
The 16-35mm f/4 VR Lens Brings a New Perspective to VR
The new AF-S NIKKOR 16-35mm f/4G ED VR lens is an ideal lens for enthusiasts and professionals craving a constant maximum aperture and ultra-wide angle zoom versatility with the benefits of Nikon’s Vibration Reduction (VR) II image stabilization. As the widest FX-format NIKKOR zoom lens with VR, users can realize the ability to shoot up to four shutter speeds slower than otherwise possible, expanding low light shooting opportunities and contributing to dramatically sharper handheld photography and video capture. Nikon VR II image stabilization technology is engineered specifically for and optimized to function most effectively for each lens, ensuring optimum performance. Whether joining the growing ranks of FX-format photographers or using the Nikon DX-format, photographers will appreciate the perspectives possible when shooting architecture, interiors, landscapes and more.
“The 16-35mm f/4 VR and 24mm f/1.4 are two new lenses designed to address the needs of an ever-expanding number of Nikon FX-format photographers, delivering dramatic perspectives, amazing clarity, contrast and color when capturing stills or HD video,” said Edward Fasano, general manager for marketing, SLR Systems Products at Nikon Inc. “Customers that choose these new lenses will experience excellent image quality and sturdy handling, which is made possible through our commitment to excellence and expert NIKKOR engineering.”
World renowned NIKKOR technologies play an essential role in the design of these two new lenses, and both feature Nikon’s exclusive Silent Wave Motor (SWM) technology for quiet, fast and accurate autofocus performance. The optical construction of both lenses also utilizes precision Nikon ED glass elements along with multiple aspherical elements to suppress chromatic aberrations resulting in sharp, high contrast images. Additionally, Nikon’s proprietary Nano-Crystal Coat minimizes instances of internal “ghosting” and flaring, further ensuring exceptional image integrity.
The 24mm f/1.4G ED Lens
Perhaps one of the most hotly anticipated lenses in recent memory, the new AF-S NIKKOR 24mm f/1.4G ED lens blends a natural yet versatile 24mm perspective with an ultra-fast f/1.4 aperture to expand an existing collection of well over 60 NIKKOR interchangeable lenses. The f/1.4 maximum aperture allows photographers to shoot handheld in low light and provides dramatic separation between subject and a softened background. In a wide variety of photographic situations, both FX and DX-format shooters will enjoy the benefits of extra-bright f/1.4 viewing, superb image quality and the dramatic perspectives afforded by a picture angle of 84 degrees (61 degrees when mounted on a DX-format body).
The 16-35mm f/4 VR Lens Brings a New Perspective to VR
The new AF-S NIKKOR 16-35mm f/4G ED VR lens is an ideal lens for enthusiasts and professionals craving a constant maximum aperture and ultra-wide angle zoom versatility with the benefits of Nikon’s Vibration Reduction (VR) II image stabilization. As the widest FX-format NIKKOR zoom lens with VR, users can realize the ability to shoot up to four shutter speeds slower than otherwise possible, expanding low light shooting opportunities and contributing to dramatically sharper handheld photography and video capture. Nikon VR II image stabilization technology is engineered specifically for and optimized to function most effectively for each lens, ensuring optimum performance. Whether joining the growing ranks of FX-format photographers or using the Nikon DX-format, photographers will appreciate the perspectives possible when shooting architecture, interiors, landscapes and more.
HDR Photography
HDR is short for High Dynamic Range. It is a post-processing of taking either one image or a series of images, combining them, and adjusting the contrast ratios to do things that are virtually impossible with a single aperture and shutter speed. I would sayHDR is short for High Dynamic Range. It is a post-processing of taking either one image or a series of images, combining them, and adjusting the contrast ratios to do things that are virtually impossible with a single aperture and shutter speed.
Wednesday, March 10, 2010
NEED TO POST
Need to update this blog... will try harder. See the latest at www.firegroungphotos.com
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